Rosemary Brown's limited musical
talents were employed by the souls of 'dead'
composers to notate some of the new pieces they
had written in the Spirit World.
The famous
pianist Peter Katin was impressed enough by
Rosemary's compositions to record a number of
them which had been published by Paxton Music in
an album called The
Rosemary Brown Piano Album.
Peter
Katin's renditions can be heard on the Philips #Stereo LP No: 6500
049; the
musical album and this LP (Long Playing) record
may still be available from specialist outlets on
the Internet.
Of Rosemary
Brown, Novello & Company Ltd write, 'Although
there has been much scepticism, many musicians of
note - among them Richard Rodney Bennett,
Professor Ian Parrot, and John Lill - have shown
great interest (in her works).'
Rosemary's
mediumship made itself known at the age of seven
when she was contacted by the Hungarian composer,
Franz Liszt, who subsequently brought with him
other famous 'dead' composers.
Rosemary
writes that on occasions a few of her spirit
visitors would use their own hands to
'overshadow' hers on the keyboard, in order to
better compose their music.
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Despite the
fact that Rosemary had received only minimal
musical training, she laboriously transcribed
their spirit-inspired compositions, note by note.
Hundreds of pieces were communicated in this way,
each bearing the style of its 'deceased' author. Over many years, such musical
giants as Brahms, Bach, Rachmaninov, Schubert,
Grieg, Debussy, Chopin, Liszt, Beethoven,
Schumann and other notables forged mediumistic
links with Rosemary, and in her autobiography, Immortals at my Elbow she writes of her close
association with these masters of music.
Rosemary also records
that she could see her spirit visitors quite
clearly, and could describe the sounds of their
voices and even what clothing they were wearing.
__________________
Rosemary Brown's Books
are:
Unfinished
Symphonies (1971)
Immortals at my Elbow (1974)
Look Beyond Today (1986)
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